Renaissance Royal Ontario Museum Expansion Case Study

Acoustic Precision Within an Architectural Icon

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Built Environment

Industry

Museums, Arts & Culture

Location

Toronto, Canada

Architect

B+H Architects

The Renaissance Royal Ontario Museum expansion introduced the Michael Lee-Chin Crystal, a major architectural addition designed by Daniel Libeskind. The project combined new construction with upgrades to existing galleries and exhibits. Acoustic consulting focused on maintaining performance within a highly complex and dynamic urban setting.

Vision

The expansion was designed to redefine the museum experience through bold architecture and enhanced exhibition spaces. Acoustic strategies were developed to support both new and existing galleries while addressing external vibration sources. The project positions the museum to deliver a consistent visitor experience within a complex urban environment.

Partnership

B+H Architects led the project, working alongside an international design team to deliver the expansion. Acoustic consultants provided input across multiple systems and spaces, ensuring alignment with architectural intent and performance goals.

Services Performed

Trinity Consultants provided acoustic consulting for the Royal Ontario Museum expansion, addressing sound isolation, mechanical noise, and interior acoustics across new and existing galleries. The team also developed vibration isolation strategies—including a floating floor system—and conducted construction impact assessments to protect exhibit environments.

Building Sound Isolation

Environmental Acoustics

Construction Noise & Vibration Monitoring

Noise & Vibration Analysis

Value-Add

Acoustic design included sound isolation, mechanical noise control, and interior acoustic treatments across gallery spaces. A key focus was vibration isolation from the adjacent TTC subway, including the design of a floating floor system for the Blockbuster Gallery. Additional efforts included assessing construction-related acoustic impacts on the existing museum.

Project Details

Museum renovation and expansion
Michael Lee-Chin Crystal addition

2002-2006

work completion

$270

million project budget

Thanks to Jaffe Holden’s exceptional design, the Institute of Contemporary Art’s Barbara Lee Family Foundation Theater has consistently impressed both audiences and performing artists since opening in 2006. The discrete acoustical treatment above our hardwood ceiling, as well as the rippled design of the theater’s entire East wall, plays a crucial role in managing reflections and ensuring both clarity and warmth. Additionally, the team’s expert noise isolation design allows for seamless co-existence between the Barbara Lee Family Foundation Theater, our lobby, and our galleries, even as significant development has transformed the surrounding Seaport District. Their expertise continues to be invaluable, and we deeply appreciate their ongoing support in maintaining the integrity of their original acoustical vision.

Ryan Arnett | Institute of Contemporary Art/Boston

Director of Production