At the heart of the new space is the Marie-Josée and Henry Kravis Studio, the world’s first dedicated space for performance, process and time-based art within a museum. Challenged with how to design the Studio to be impervious to NYC’s bustling 53rd Street and ensure its adaptability for an expansive variety of uses, Cerami brought this design challenge into their Immersive Studio so that the MoMA creative team could experience the experience before it was built. Through virtual simulations and numerous iterations, Cerami’s solution was a floating gallery with tilting walls, adjustable banners that can alter the acoustics, and an isolated secondary curtain wall engineered so guests will never know they are in midtown Manhattan. This silence is part of the gallery experience, art you can’t touch, but you can sense; a blank canvas to be transformed with each installation.